Thursday, February 29, 2024

business card prop development

 In the midst of writing my script right now (almost done) and a key prop of my story, regardless of any script changes, is the Life & Go Dept. Clinic's business card, so here's a quick post on how I developed the prop.

The first thing that comes to mind for inspiration for the business card is the American Psycho business card scene. How those props look, with their simple design, is what I envision for the prop whenever I think about it. It creates a sense of professionalism but also makes it ominous, as limited information is provided along with its straightforwardness. 



I found this article(? idk if that's what I'd call it) that discusses Bateman's card design at length, mentioning the font that aligns the most with the card which is what I used for mine. I pretty much just looked at the card for how to design mine and did that, super simple, just a little post to document that process. Here's my final card design.



Wednesday, February 28, 2024

social media research

Obligatory social media research so I don't just focus on 1/3 of the portfolio. Idea for my social media page is for it to basically be the Life & Go Dept. Clinic's (LGDC) social media account, so I'll be roleplaying as the company while marketing the short. It's a cute quirky idea, I am running with it, it sounds fun. None of the productions I researched have social media accounts dedicated to advertising their films/shows so I'm working with what I got here.

Media Text: The Nice Guys (chose this because my short has a similar dynamic with two of its characters as two of the characters in the film do, so I think they would be advertised in similar ways. Also, the overall tone is similar except that mine is more emotional and much less focused on comedy haha)
Social Media Tool: Instagram 
Description of types of posts: The posts mainly focus on the principle actors, Ryan Gosling and Russel Crowe, to do most of their marketing since these are names and faces that people are familiar with and would want to watch a movie of. I do not have this luxury. They also focus on the film's comedy, featuring many clips with funny snippets of the movie, though they are often presented in creative ways. They have a "the nice guy'd to..." series where they post funny clips of the film poised as a giving tips. Importantly to mine, they have one post that parodies 70's agency commercials where they highlight the character dynamic and comedy. This is important to mine as in that post the account acts as if they are the detective agency advertising themselves, which is similar to what I'm doing. I did check their twitter and it was the same posts from Instagram but on that site, except for more tweets with gifs from the movie that included the hashtag #TheNiceGuys.



How the brand is developed: The film is set in the 70's, so this is a major part of the brand development. Almost every post is stylized in a 70's TV style way, using bright, warm colors, lower quality audio, and filters that replicate the 70's style. Each post also emphasizes the film's comedic aspects, the major appealing aspect of the production next to the actors.
How I will use this: I will take heavy inspiration from how the account puts a focus on its two principle characters, focusing my account on the prominent duo that the film is primarily centered on. The account also puts an emphasis on its actors, which I want to do as well through conventional means like interviews or having the actors market the film while still in character. Mostly, though, I will draw from the account often posing as a fictional detective agency since that is the idea for my marketing campaign.

Media Text: Mr. & Mrs. Smith (The Amazon show) (Seems like a weird pick but I found a second account for the show on Instagram that acts as the company in the show, HiHi. So obvious great source of inspiration there)
Social Media Tool: Instagram
Description of types of posts: Most of the posts consist of audience interaction. HiHi selects viewers to participate in a planned challenge, like a kidnapping or a heist, that relates to the Mr. & Mrs. Smith show. They also post set photos from the show that the company provided the characters in that narrative world. 


How is the brand developed: The account develops the brand by featuring its viewers participate in spy like missions, similar to the ones the characters do in the show. The consistent use of the HiHi message screen in the videos and set/prop photos on the account develop the overall look of the brand/show, highlighting the style of the show's production and its iconic imagery through the messaging screen.
How will I use this: I really like the idea of interacting with the audience through little challenges, though, I think that might require too much planning and scripting for me to pull off in such a limited time frame and budget and reach and et cetera. Instead, I like the idea of making little sketches that have different people go on different 'missions' from the company. I can get friends to act like they are employees of LGDC and make sketches around them going to help clients of their own, maybe one goes incredibly wrong, who knows. Either way, it's a very creative idea I will definitely keep in mind and most likely do. Also, taking pictures of the costumes that Cricket and Jim use as if the company is showing off their pristine employee uniform is a cute idea I am inspired by the account by. Also works for the business card.

Media Text: Everything Everywhere All At Once (I lied EEAO does have a social media account) (Similar themes is why I chose it. Both are also weird productions, though EEAO is much weirder, in a good way).
Social Media Tool: Twitter & Instagram
Description of types of posts: Scrolling back to before the film's release, the account did not exist during pre-release, but what their first posts were mainly retweets of Twitter accounts watching the movie and praising it. They also retweeted art and articles about the film. To advertise the film's digital and physical release, the account shared videos of bloopers and behind-the-scenes clips that are featured in the digital, bought version. The videos also included interviews with actors about the film and their experience working on it. Still, the main way they promoted the film was through retweeting people's thoughts on it (which were positive). Looking at A24's Instagram account to get an idea of the film's marketing before its release, most of the posts were trailers and teasers actually made for the film but posted on the account as well. Props of the film were sold on the A24 website, which was advertised on the account alongside showing the press tour of the actors and stills of the film.


How the brand is developed: The twitter account doesn't do the best job of developing the brand as it mainly focuses on spreading the word of mouth that the film is good. Snippets of the behind the scenes and bloopers also don't necessary do a good job of developing the brand either. The Instagram does a much better job, posting trailers and props from the film to illustrate the production's absurd, out-there nature. Still, both accounts could do better to develop the film's brand.
How will I use this: I like the idea of posting stills and props from the production, they're very simple but can build interest if done right. What the Twitter account does is impossible for me since this is a student project short film that does not have the reach of a studio produced theater released film. Obviously. I also like posting pictures and interviews of the actors together, another really simple but practical way to market a film.

This research helped me a ton, I feel like I have a better idea on how to approach the social media aspect.

Sunday, February 25, 2024

story re-development

After discussing the film's plot with my teacher (Mrs. Stoklosa) (shout-out), I got back heavy notes on how to rework my plot since it was wayy too long and a bit convoluted. If I go with my original outline, it would be better to end it at the protagonist dying, which I don't super want to do because I want my piece to have a much more hopeful ending and overall message. She then suggested I rework it so the story is through the view of the company, in that way I can fit all that I want to in it and have that more hopeful message, which is the route I think I will end up taking. Also that means the title of the production can be the name of the company, which right now is Life & Go Department Clinic, still working on it though. Also might not be able to do as many weird stuff as I wanted to because of runtime and production limits and prioritizing theme over style :heartbreak: but we'll figure that out when we get there. Realizing I'm kinda making a buddy cop short now haha. ALSO ALSO I've decided to cut the afterlife scene completly, its very very cheesy and preachy and I simply don't like it. Instead the protagonist will come back to life by his own choice and he doesn't have to be preached upon. It works infinitely better I think.

Okay new general outline is this:
- Jim and Cricket stalk the protagonist, watching him rot in his room
- Once it turns night, they sneak into his house and take his heart out, replacing it with a timer that acts as a heart until it counts down completely
- The protagonist wakes up, startled, Jim and Cricket explain the situation
- Jim and Cricket leave and continue to spy on him, the protagonist plans a bunch of things, doesn't do any of them and dies
- Disappointed, Jim and Cricket leave and begin to move the body
- The protagonist's ghost stands over his body, eyes locked to the closed ones. He thinks of where it all went wrong, where it could have gone differently. The LGCD's business card lays on the ground, he looks at the slogan "The meaning of life is its verb." He stares at the card, then back at his body as he reaches out hoping for one more try, this time, he will live.
- The protagonist is resurrected, he gasps for air, Jim and Cricket stand shocked for a moment then realize that his heart is gone.
- They leave to search for it, the protagonist sees it tucked behind a desk, he tries calling to them but to no answer
- He crawls to his heart, on his way he slowly completes the list of things he was assigned to do, Cricket and Jim continue to search for the heart.
- The protagonist reaches the heart just as Jim and Cricket arrive with empty hands, they begin to place the heart back in, the protagonist mutters "I will live."

That's what I got so far. I'll start and finish the script this week! Laterzzz


Friday, February 23, 2024

developing story/outline

I was watching a video essay on Pinocchio and God (idk) and I was struck with the idea of a Jiminy Cricket type character guiding the protagonist to the story's message. That, somehow, led me to conceptualizing an organization called the Life & Go Department Clinic (working name) that steals the hearts of people who do nothing but rot in their rooms and replaces it with a ticking timebomb that explodes unless they kickstart their life and do a list of things. Idk. BUT ITS WEIRD AND KINDA COOL MAYBE AND THATS WHAT I WAS GOING FOR!! I do think it's a cool idea, it will probably serve as the basis for my plot. The department will consist of two people named Cricket and Jim, a very obvious nod to Jiminy Cricket hehehahah. ha. Jim is gonna call the protagonist old sport, cuz they do that in the Great Gatsby and I think its cute bite me maybe he's a book guy bite me. He talks like he came straight out of the roaring 20's too. Also had the random idea of the protagonist wearing an eyepatch cuz his eye rolled out of his head out of boredom. Idk it's weird and cool maybe. Thinking of not giving the protagonist a name because I want him to be a character you really see yourself in, almost imprint onto. Still not sure if I will but hey something to mention. Also maybe going to have a narration throughout for the protagonist's thoughts. It's important to really get into the character's mind and mental processes, although I'm not necessarily the biggest fan of the idea, it might be necessary. It is done in the productions I am inspired by, The Tatami Galaxy, Mind Game, I'm Thinking of Ending Things, etc.

(Here's some crappy little doodles of the characters)


Ok "basic" outline is this: 
ACT I: Protag. spends everyday rotting in his room: eating junk food, playing games, mindless scrolling on his phone, etc. etc. Throughout this act I want to establish his desire to do something with his life. It's not like he wants to live life rotting in his room, he feels he is incapable of doing anything else. To him, living life is something that hibernates in the forefront of his mind forever. I'm still unsure on what his wants are, frankly, they don't even have to be wants, they could be simple things to do. In life we have goals, but we also have little things to do, like calling your grandma. Protagonist goes to bed like normally. MAYBE cut to Cricket and Jim breaking into the protagonist's house, carving into his chest and ripping his heart out. Protagonist wakes up with a sharp pain in his chest, his heartbeat replaced by a ticking, and two people in suits looming over him in his bed. The protagonist is startled, thinks about attacking, but doesn't. Cricket and Jim introduce themselves and explain the situation, the protagonist has until midnight to accomplish a list of tasks (still don't know what those tasks are yet) or else he dies. They exchange more dialogue, banter, whatever. Cricket and Jim leave the protagonist to do everything he needs to; instead, the protagonist overthinks and goes through every scenario in his head, maybe he plans the perfect way to do it, etc. Eventually, he ends up laying up in his bed, he has given up. Probably convinced himself of some false truth to assure that what he's doing is okay. He dies.

ACT II: Protag comes to in the afterlife. Afterlife might be a void or it could be a diner or bar of sorts, still figuring it out. Jim and Cricket sit across from him. Jim explains how the protagonist has fails, which under the threat of death, doesn't happen often. What basically happens in this scene is Jim monologues and gives a speech which is the message of the film. Jim recounts an encounter with a weird orange mass that looked like a wolf that put the fear of death into him, and since then he has been trying to live his life as much as he can, with its imperfectness and all. Eventually, the monologue ends, the protagonist understands where he went wrong and pleads to get another chance. Hesitant, Jim and Cricket agree because they like him. The protagonist comes to in the real world.

ACT III: (Still iffy on how I'm doing act 3, or if there even will be one) He looks around his excruciatingly too familiar room, no more ticking where his heart is supposed to be but no heartbeat either. He looks out his doorway to see his still beating heart lying on the floor. Uh oh. UH OH. In a final crawl to live. The final crawl to finally have the life he dreamt of with the drive to live that once seemed a brief fantasy, the protagonist uses all of the strength left in him to pull himself towards the opportunity for a life that he had ripped out of himself years before any suited men appeared in his room (I feel like I'm writing a book or something). During the crawl I really want the protagonist to do all the things that he couldn't before, again, still not 100 on what those are. But for instance, during the crawl he calls his grandma, uses a fishing rod to fish the heart (he always wanted to try fishing), finally talks to a girl he likes (she would later reject him), signs up for a gym membership, gets a driver's license, etc. etc. I know this may seem insane and a lot.. but it would all be done in quick succession in a montage and it'd be cool I promise. Finally he reaches his heart and sits up, a smile on his face, declaring victory. Again, it's fairly underdeveloped still but this is the general idea for act 3. Cut to black then credits.

Gonna write the script tomorrow, it'll be developed better in there I promise.

Tuesday, February 20, 2024

watching similar productions

 I asked my teacher if she recommends any productions that had similar themes to mine so I could asses how I wanted to approach representing my themes. She recommended the short World of Tomorrow, the film I’m Thinking of Ending Things, and another media project from four years ago, Minimalist. I watched all three yesterday, my favorite was World of Tomorrow, just a stellar film, so good. You can watch it free on YouTube here!

The main things I got from each production is the different ways to approach representing the themes. With World of Tomorrow delivers its themes VERY straightforwardly, and I think it really works! A character literally tells the protagonist the message of the film, "Live well and live broadly. You are alive and living now. Now is the envy of all of the dead" - Emily from World of Tomorrow. I'm Thinking of Ending Things and Minimalist are much less straightforward with their themes, giving hints throughout instead of outright stating it. The Tatami Galaxy and Mind Game, are a mix of both, giving hints throughout before outright stating their message once the character realizes it. For mine, considering the limit on its length, I think I will take the approach of little hints before the outright stating of the message. I don't want the message to come out of no where with not set up. How I will do this I'm still not sure but we'll figure that out when we get there.

When considering target audience, World of Tomorrow definitely has a target audience of an older age, especially considering the character of 4th generation Emily, which can be very relatable to the older audience who has a similar understanding of life and its experiences to her. Its themes can also be fairly heavy. This is the same case for I'm Thinking of Ending Things, although not necessarily targeting an older audience, its concepts of reflecting on a life that has already past with regret can definitely reside with an older target audience. I think I am way too young and inexperienced to target an older audience with this messaging. My target audience will be more aligned with the audience of The Tatami Galaxy. I think how that production tackles its messaging is something I can actually handle and develop/expand on. An older audience simply wouldn't work with the film I have in mind and my inexperience in life.

Overall, the main things I took away from viewing similar productions (besides enjoying them haha) was how to approach my theme, and the piece that I want to take the most away from is World of Tomorrow, especially the scene where 4th generation Emily gives advice to Emily Prime. I'll probably end up taking more from these productions throughout the way haha.

Friday, February 16, 2024

steven soderbergh's analysis of staging

 Okay so I found this blog post by Steven Soderbergh (director of the Ocean's Eleven movies) that discusses staging in film. Soderbergh defines staging as "how all the various elements of a given scene or piece are aligned, arranged, and coordinated." Its purpose is to really expand the storytelling as much as possible, he believes that a film should be watchable and understandable with the sound off. He demonstrates the art of staging in film by desaturating Spielberg's Raiders of the Lost Ark, removing all of its audio, and adding the score from The Social Network and The Girl with the Dragon Tattoo

He did this to emphasize the film's spectacular-ness in its staging (the legality is. debatable).  What's notable is how Spielberg is able to change frames in one shot, his use of background and foreground to depict focus, and his overall use of mirrors, framing, and shadows. It's really insane. I haven't given Sodbergh's Raiders a full watch as of yet, I'm not sure I will have the time but I will do so if it is possible. A brilliant video by CinemaStix dissects Soderbergh's version of Raiders. It's amazing how different shots and what is or isn't included in their composition can tell a story on their own, no sound no dialogue necessary. For context, I had known about this article for some time, but it was brought to my attention again through a random tweet that I can across (lol) and the idea of using staging as a pivotal part of my visual component struck me. I really want to do this. 

Another film I watched that does this amazingly as well is In the Mood for Love. In the film, the faces of characters are very often obscured, either due to blocking or staging. This in itself creates a sense of disconnection between the characters and the viewer, but also between the characters themselves. A character that holds an emotional shield is not entirely in view while the character pouring his heart out takes up a majority of the shot. The film is also shot either far away, or through windows/in between objects. This really creates a sense of disconnection between the viewer and the story and the emotions at play. It's only in the tender, genuine, intimate scenes where we get to see the characters in their entirety. It's brilliant, I hope I can capture a bit of that skill in my work. Realistically, I have doubt I'll be able to even do a percentage of this haha, but I still wanna try. So I will. I'm going to focus on developing my story and characters now haha

Thursday, February 15, 2024

schedule timeline

 Week One:

- Develop Story

- Develop Characters

- Develop Genre

- Research similar productions/genre

- Blogging

Week Two

- Begin script

- Continue research on how to create production

- Research social media marketing/print component

- Blogging

Week Three

- Finalize script

- Character/Story mood boards(?)

- Storyboard

- Continue print research

- Create social media marketing

- Blogging

Week Four

- Begin production

- Continue social media marketing

- Blogging

Week Five

- Continue production

- Begin post-production/editing if possible

- Continue social media marketing

- Blogging

Week Six

- Finalize production

- Continue post-production/editing

- Research print component

- Continue social media marketing

- Blogging

Week Seven

- Continue post-production/editing

- Begin print component

- Continue social media marketing

- Blogging

Week Eight

- Finalize post-production/editing

- Finalize print component

- Continue social media marketing

- Blogging

Week Nine

- Begin planning/researching critical reflection

- Continue social media marketing

- Blogging

Week Ten

- Critical Reflection

- Finalize social media campaign

- Blogging



Monday, February 12, 2024

day 1 number 1 (one)

Starting the A-Level portfolio today! Wahoo! Yay! Etc. The last project we worked on in class was the film distribution project where we were given a story developed by another student in a creative writing class, and we had to create a trailer, teaser, poster, and distribution plan for it. I did not like it very much admittedly, so I feel my work on it was subpar. But now I get to work on a project I do care about and want to explore! Yay! Etc. 

I've been thinking about this project for a little while, brainstorming idea, and jotting down any random thoughts that come to me, and since last year's project, I've had in my mind of doing a short film this year. It was in between that or the film promotion option, and after my non-liking of the film distribution project, I'm certain I want to do a short film. What the story is I'm not sure yet, but I do have some idea of the theme I want to present. I want to explore how there is no correct path to live life, there is no perfect life, and that we all have to quit moping or trapping ourselves, we must live life. We have to take chances and opportunities, we can't miss out on living out of fear or sadness or whatever. It's an important theme to me, one I find to be explored greatly in the pieces Everything Everywhere All at Once, Mind Game, and The Tatami Galaxy. I think I may be due for a re-watch of all of these to refurbish my mind in all of its themes. I'm not sure how I want to approach this concept, but I do know I want to make it really, really weird. Making it weird brings a certain charm, uniqueness, and freshness to the exploration of these themes that may be boring to sit through if not for presenting it in a maybe outlandish way. I also really want this to be good haha. Something in my brain clicked and I decided to really put my all into this project. I was recommended by a friend to rent out high quality cameras and equipment at a local place called BEECON (or something along those lines) and I definitely plan on doing so when production starts. 



                                    (Random thoughts in my notes app)


I found an article that discusses The Tatami Galaxy at length, it's called The Tatami Galaxy - Life Does Not Have to Sparkle to be Beautiful by Starkfyre. It has two quotes which I think really encapsulate my idea for the film, "A perfect life does not exist. We must appreciate the little things and enjoy the imperfections that make up this world. There is beauty in silly adventures, meaningless pursuits, and crazy friends. Life does not have to sparkle to be meaningful" and "It is important to go after what you want. Even if that means putting yourself at risk for failure. The worst possible mistake you can make is to do nothing." GAH THAT'S EXACTLY WHAT I WANNA EXPLORE!!! I'm very excited, I want to make this good. Still don't have an idea of a story, but I do think the genre will be comedy/drama (since those are the main genres of the pieces that I am inspired by) with a target audience of young adults (about 16-22ish). So excited. Gah.

Project Components

 FILM FILE The Life & Go Dept. Clinic POSTCARD Front Back File Link SOCIAL MEDIA Instagram Page